أعلنت تروكولر ، خدمة البحث عن الأرقام العالمية ومقرها السويد ، عن تمويل بقيمة 1.3 مليون دولار في السلسلة أ. تأتي الأموال من Open Ocean ، وهو صندوق VC الفنلندي الذي أنشأه مؤسسو MySQL بعد بيعه لشركة Sun Microsystems في عام 2008.
تروكولر بصدد إنشاء دليل هاتف عالمي. تدعي أن المستخدمين يقومون حاليًا بأكثر من 120 مليون عملية بحث شهريًا باستخدام تطبيقات iPhone أو Android أو Symbian أو Blackberry أو Windows Phone أو الويب.
BAlong with the various scenes you bought from Stormzy's emotional Glastonbury headset, you might have seen a video of Tara Asher in your timeline. An audience-turned clip of Asher, a British signal language interpreter, turned viral and confirmed her gunfinger-cheeky, head-turning visualization of the Rapidfire lyrics of the Grime MC.
For Asher, who additionally interpreted Stormzy in Glastonbury in 2017, it was simply one other night time job. "There will not be many interpreters who interpret music and arrange festivals," she says. "There's a deficiency on the nationwide stage." And there are even fewer who concentrate on filth. "I've heard filth because the Dangerous Roadz days, so it's simpler for me as a result of I perceive the context, the slang, and all that."
Along with Asher Stormzys set was additionally interpreted by Stephanie Raper. A complete of 20 interpreters volunteer at Glastonbury's DeafZone to make sure that vital Glastonbury performances are accessible to deaf viewers. Since every music wants about in the future of research preparation, it's a mammoth job - much more tough as a result of interpreters do not need entry to setlists earlier than exhibits. Because of this they normally lookup the final units of an artist on-line and spend weeks getting ready all of the songs they could play. And if the artist deviates from the script and performs one thing new? "We simply should get entangled," says Raper. "It's concerning the beat, the phrases, the melodies, the sensation, the change of tempo - it's all about conveying all the things."
For many performers, the work begins with immersing your self on the earth of an artist. Paula Cox, who interpreted Janet Jackson's set, explains that she "listens consistently earlier than performing - within the automobile, within the morning, within the night, once I prepare dinner my dinner. A part of the analysis is watching YouTube, how the artist strikes to this music, and the way his temper is. If they've a way of holding on, you wish to attempt to obtain that. "
For Benjamin Gorman, who interpreted his first set at Glastonbury for Bastille, the preparation is extra sophisticated. Gorman is deaf himself and is listed with the help of different volunteers who present visible cues. "I needed to learn as many texts as I may," he explains. "Whenever you join BSL, it doesn't match the grammar and construction of spoken English, so that you'll want to consider methods to change it, however not a lot as to deviate from the unique textual content."
A part of what makes such translations a virus many times is the emotional energy of efficiency ensuing from the visible expressiveness of language. Angela Dawes, who supplied BSL interpretations for Christine and the Queens, Billie Eilish, and Loyle Carner, finds it simpler to translate when she emotionally connects to a music. "Having an artist to establish with - that actually helps. We wish to convey that in our interpretation: such as you feeling once you hear a music. "
DeafZone not solely covers the primary performances, but additionally affords interpreters to assist the deaf acquire entry to different facets of Glastonbury, resembling: For instance, to get a therapeutic massage or to pursue a debate. Nonetheless, DeafZone's work isn't just about serving to deaf individuals, but additionally about elevating consciousness of BSL as a language within the auditory group. Volunteer Abigail Gorman (who herself is deaf) explains that the DeafZone tent affords free BSL classes to all Glastonbury guests. "We speak about deaf historical past, tradition and language. We are not looking for individuals to only are available in and study a couple of indicators - that's tokenist. We would like individuals to advertise us sooner or later, to be our allies and to help us. "
When movies like Asher, which Stormzy interprets, turn into viral, it's a double-edged sword: whereas elevating consciousness of the necessity for BSL interpreters at concert events, interpreters will not be the focal point. "It's all about offering entry for the deaf," says Dawes. "As a lot as we benefit from the lovely side of the efficiency, we're right here within the first place as a result of we present that this can be a language equal Language. "Her co-interpreter Erin Hutching agrees," One of many misconceptions is that interpreters assist deaf individuals. [We] Supply a extremely vital service in each instructions. It's also a assist for the listening to individual as she doesn't converse signal language. "
The very best consequence of those viral movies can be extra help for interpreters at festivals - who may gain advantage from entry to setlists and an in-ear audio feed - however above all, improved entry for deaf festivalgoers. The results of this entry could be immeasurable. "Once I first got here to Glastonbury, I used to be a hunter and I didn't count on something," says Gorman. "I've been to different limited-access festivals - all the things is inclusive right here." I'm not outlawed. Festivals should be extra conscious of the deaf. You must rent the deaf to seek out out what the deaf want. I'm dealing with many obstacles. There are not any obstacles right here in Glastonbury. "
PInk hangs the wrong way up on an enormous, diamond-studded chandelier. Because it vibrates, growls, winks, and breaks into Get the Get together Began, To the delight of Cardiff's roaring crowd - regardless that this isn't her insurance coverage - the 39-year-old pop veteran takes each nook of the enchanting invention with the acrobatic efficiency of a runaway from the Cirque de Soleil, held solely by a lightweight harness. So no common celebration begin.
However Pink just isn't your common pop star. The native Alecia Moore, a million-selling artist and skilled gymnast, has infiltrated the mainstream together with her splendidly cheeky pop-rock anthems for twenty years (her album Lovely Trauma of 2017 was the third largest vendor on the earth this yr). From the self-empowerment anthem Fuckin 'Excellent- performed tonight with no fuss - for the membership banger Elevate Your Glass she has distinguished herself by her denominational songwriting as an envoy for outsiders. She additionally is aware of: "We're all pink from the within," sounds a transition within the center.
Pink combines the vitality, showmanship and stage manufacturing of a tour present and exhibits her sportiness as she sings stay, on-key and with nice panache. Wearing a tuxedo, she works as a wired circus grasp and instructions her background dancers by means of the feverishly catchy Funhouse. Hearts transfer to the mouth whereas their muscular energy reaches its limits throughout a gyroscopic secret. Most likely no cowl was wanted with this arsenal of tasty hits that hit the viewers, however their highly effective rendition of Bishop Briggs' gothic, hall-drenched river permits for a uncommon, nasty routine that, for as soon as, units Pink & # 39; s highlight strikes as a substitute of their bodily talents.
The nursery rhyme-like pounding of So What heralds a hovering air last; Pink is strapped by 4 bungee chords and unceremoniously flings over the ticket sections of the stadium and jumps on the followers with bombs. Because the hookline fades, she lastly sits down on a structured seat and waves to her enthusiastic followers and presents them a conspiratorial nod. And that's the place Pop's best nonconformist flies again to earth.
The London House, where the famous painter Vincent Van Gogh - the subject of a major exhibition in the Tate Britain - was in his twenties, is now open to the public.
It was only a short time of his life, between 1873 and 1877, and not much of his time in the capital remains. However, if you stroll through the side streets of Stockwell, you'll spot a blue badge at Hackford Road 87, which declares it to be his residence. The house was recently renovated and is now open for guided tours.
When we last visited an art installation in 2014, it was in a semi-dilapidated and somewhat atmospheric state. Now the peeling wallpaper and the battered furniture are gone and it is much flawless. If you are worried that the story will be erased, keep in mind that this house was inhabited by many others before a local postman discovered the connection to Van Gogh - this discovery took place in 1971 and the blue plaque followed in 1973.
When the house was for sale in 2012, James and Alice Wang bought it for £ 525,000. The art lover and businessman James remarked:
I can not afford a Van Gogh painting, but I can afford his house.
In fact, there is not much left of the painter's time, although the staircase and floorboards and mantel in Van Gogh's room date back to that time. That's why the house needs guidance - without the context the guides provide, there is not much to do. We thank the new owners for getting what they can, and new discoveries are still being made. In the attic, the builders found a prayer book, and though there is no evidence that it belonged to Van Gogh, he was a very religious man, and the owners of the house were not so religiously minded that it would be kept safe if it was should be turn out to be.
The tour of the house begins at a nearby gallery before crossing Brixton Road to see the route Van Gogh took to work. He was an avid wanderer, so he went from Stockwell to the art dealer on Southampton Street in Covent Garden, where he worked. He claimed he needed 45 minutes, so he had to walk to a fair clip - Google Maps suggests it would take more than an hour.
In Van Gogh's time, the house belonged to mother and daughter Ursula and Eugenie Loyer, who led a small school in the anteroom and built their income through subtenants. He noted that it had been the happiest time of his life - possibly because he had fallen in love with a woman but was later rejected. Early historical records indicated that it was the mother Ursula, but recent evidence suggests that her daughter Eugenie was more likely to be of a similar age to Van Gogh.
This unrequited love may have been the reason Van Gogh suddenly left the house and became more religious, away from art and preaching. His time in this house may have been only a few years, but it was an important part of his life before he became a tortured artist figure with whom we are all familiar.
Fortunately, the new owners want to make the house as artistic as possible with plays and temporary exhibitions. The aim is also to have artists who work in their residence and channel their own inner Van Gogh, inspired by their predecessor.
The Van Gogh House is not the only appreciation for the artist's time in London, because right next door is Van Gogh Walk - a short pedestrian street filled with community gardens and a community library in a small cabinet on the wall. It's a nice detour before we head back to London, although unlike Van Gogh, we'll take the subway.
Van Gogh House can only be visited as part of a guided tour. The tours take place on Thursdays and Saturdays and currently cost £ 9.50 per person. The total price is £ 15.
From poetic and political pictures within the Bronx to dancers swimming and taking part in tennis on stage at Lincoln Middle, right here's a information to what the town has to supply.
"OOur songs are at all times about relationships and emotions in the direction of individuals, "says Laura Guerrero Lora, frontwoman of the post-punk quartet Ghum. "Particularly the worst." The remedy is at all times inside attain with regards to Ghum, whose lyrics dissect love with evil precision.
The band's greatest songs are powered by rousing basslines and thrilling guitars. punk, however with the stately grace of Goth-pop. Guerrero Lora has the flexibility to sing in each register, from whispering to screaming, just like the early PJ Harvey - typically anxious, at all times uncooked. Usually, Ghum's tracks dissolve as an alternative of ending, as if the band's angle is only a masks.
They have been based in 2017 on Gumtree (therefore the title), with Guerrero Lora along with the Brazilian bassist Marina MJ and the Londoners Jojo Khor (guitar) and Vicki Butler (drums) appeared for months within the East London Pub The Outdated Blue Final in the beginning of the beer Reside taking part in and publishing music, together with this 12 months's punchy singles Get Up and Saturn.
The lengthy shadow of the Pleasure Division might cling over them (together with colleagues like Drahla, Actors and Savages), however originality might be overrated. What issues is what you do along with your influences, and the depth of Ghum produces catharsis.